MOT finishes season May 12 with baseball opera “The Summer King”; special events feature Willie Horton and George Shirley
DETROIT—Michigan Opera Theatre’s (MOT) 2017-18 opera season concludes with The Summer King May 12-20 at the Detroit Opera House. A co-production with Pittsburgh Opera, the story is about Negro League baseball player Josh Gibson, and MOT will be the second company to produce it following its April 2017 premiere. A series of special events will complement the mainstage performances, including an opening night panel discussion with African-American trailblazers in arts and sports including former Detroit Tiger Willie Horton and singer George Shirley, the first African-American tenor to sing at the Metropolitan Opera.
Ticket prices range from $30 to $155. Tickets for the opera and the opening night dinner may be purchased online at www.MichiganOpera.org, by calling (313) 237-7464 or in person at the Detroit Opera House (1526 Broadway, Detroit).
Set throughout the 1930s and 1940s, “The Summer King” follows Gibson’s tumultuous journey as a young baseball star. Despite his tremendous talent, the opera chronicles Gibson’s struggle to overcome prejudice, discrimination, and heartache in his attempt to become the first African-American baseball player to play for Major League Baseball.
“The Summer King” is sung in English with English supertitle translations projected above the stage.
For full casting and additional information visit www.michiganopera.org.
“Michigan Opera Theatre’s production of The Summer King is greater than simply the final production of our opera season. This highly-anticipated event represents the culmination of a year of community engagement and partnerships that explore the relationship between the arts and sports and celebrate African-American trailblazers,” said MOT CEO and President Wayne S. Brown. “We are proud to share this important work as it is designed to be a meaningful community experience.”
“Josh Gibson is considered to be one of the greatest baseball players of all time but one with an important story which is too often forgotten,” said MOT Principal Conductor Stephen Lord. “This is a story about perseverance in the face of adversity set to a backdrop of one of Detroit’s favorite sports: baseball. Its themes resonate today across all of society and leave us all a little bit better for it.”
The May 12 opening night performance coincides with the Detroit Tiger’s home game against the Seattle Mariners and will feature day-long events and activities in celebration of arts and sports. From 2-6 p.m., MOT will host a free block party on its surface parking lot on the corner of Madison and John R. streets. The event will include family-friendly games as well as hot dogs and beer for sale and is open to the community.
The opening night opera pre-talk will begin at 6:30 p.m. and will be presented in a panel discussion format, featuring Horton, Shirley and The Summer King composer, Daniel Sonenberg. Patrons are also invited to an opening night dinner, hosted by Horton and Shirley as honorary co-chairs. The dinner will begin with cocktails and hors d’oeuvres on the Detroit Opera House SkyDeck rooftop at 5 p.m., followed by a seated dinner in the Chrysler Black Box Theatre at 5:30 p.m. Tickets for the dinner are $150.
The Summer King features a libretto by Sonenberg and Daniel Nester, with additional lyrics by Mark Campbell. The cast stars Lester Lynch as Gibson and Deborah Nansteel as Grace and is conducted by Steven Mercurio. The production also features eight returning members of the opera’s premiere, including Sam Helfrich (director), Kenneth Kellogg (Sam Bankhead), Sean Panikkar (Wendell Smith), Jacqueline Echols (Helen Gibson), Norman Shankle (Elder Barber & Gus Greenlee), Phillip Gay (Young Barber, Cool Papa Bell), Raymond Very (Radio Announcer, Clark Griffin, Branch Rickey) and Martin Bakari (Scribe, Trash-Talking Player).
The opera is the culmination of MOT’s year-long “Take Me Out to the Opera” initiative exploring the role of arts and sports in improving social equity and inclusion. The campaign has been working with community partners including the Detroit Tigers, the Charles H. Wright Museum of African American History, the Detroit Historical Society, the Detroit Public Library, the Josh Gibson Foundation, Rosedale Park Community House and Hamtramck Stadium to present a series of exhibits, panels, performances, and presentations celebrating those who have broken racial barriers in arts and sports.
Remaining public events of the program include:
May: Negro Leagues Exhibit at the Charles H. Wright Museum of African American History
An exhibit on the Negro Leagues will open at the Charles Wright Museum in partnership with the Josh Gibson Foundation and the Friends of Historic Hamtramck Stadium. Items will be on display through June. Charles H. Wright Museum of African American History, 315 E Warren Ave, Detroit, Mich.
May 5: Take Me Out to the Opera: An Evening at Hamtramck High School
A free concert inspired by The Summer King featuring selections from the opera and music from Josh Gibson’s era. MOT singers will be joined by members of Hamtramck High School’s choir and band in celebration of the school’s R.I.S.E Grant, given by NBC to select schools nationwide. 6 p.m. Hamtramck High School, 11410 Charest St, Hamtramck, Mich.
May 26: Arts and Sports Youth Clinics
In celebration of Hamtramck Stadium, one of only a handful of historic Negro Leagues stadiums still in existence, and a location where Josh Gibson played, MOT is partnering with Friends of Historic Hamtramck Stadium and the Detroit City Football Club to bring baseball, softball, soccer, cricket, and dance clinics to young people. 10:30 a.m., Hamtramck Stadium, 3201 Dan St., Hamtramck, Mich.